Theatre
| Orlando |
Orlando |
Ashley Brooke Monroe |
Fordham Mainstage |
| Twelfth Night |
Feste |
Sherri Eden Barber |
Fordham Mainstage |
| The Winter’s Tale |
Clown |
George Drance, SJ |
Fordham Mainstage |
| Magnolia |
Anna |
Regina Taylor |
Fordham Mainstage |
| Ashley Everhart: Only Time |
Self/Various |
Self |
The Tank |
Music
| Twelfth Night |
Comp./MD (Sax, Vocals) |
Sherri Eden Barber |
Fordham Mainstage |
| Magnolia |
Comp. (Sax, Uke, Vocals) |
Regina Taylor |
Fordham Mainstage |
| The Winter’s Tale |
Vocals |
George Drance, SJ |
Fordham Mainstage |
| Grease |
Sax, Aux. Percussion |
music dir. Nick Wilders |
Theatre Workshop Nantucket |
| Dimes: A New Musical |
Sax |
music dir. Billy Recce |
Fordham Studio/Album |
| Billy Recce’s Snowflake Jamboree |
Sax |
music dir. Billy Recce |
54 Below/Album |
| Billy Recce in Concert |
Sax |
music dir. Billy Recce |
The Green Room 42 |
Training
| B.A. Theatre, Acting Concentration (2020) Fordham University |
(Matthew Maguire, Michael Potts, Tina
Benko, Stephanie DiMaggio, George Drance, Alison Fraser) |
| Clowning/Improv/Sketch |
George Drance, Lisa Gross |
| Private Classical Voice |
Dr. Jacqueline Horner-Kwiatek & Dr. Lucy Hoyt |
| Private Jazz/Classical/Improv Saxophone |
Dr. Adrien Re |
| Linklater & Fitzmaurice Vocal Technique |
Andrea Haring, Liz Eckert, Grace Zandarski |
| Alexander and Butoh Movement |
Dawn Akemi Saito |
Special Skills
Advanced saxophone, advanced vocalist (opera, folk, pop/rock), intermediate acoustic guitar, intermediate ukulele, intermediate auxiliary percussion, choral and wind ensemble conducting, music composition/arrangement/dictation, improv/sketch comedy, dialects, physical comedy (stunts/combat), basic dance training, advanced French, driver’s license, whistling, yodeling, eye tricks, square dance calling
